Banksy – Going, going, gone…

Posted in Auction, Interactive, Painting, Performance on October 6th, 2018 by Moose – Be the first to comment

It didn’t take long for the attendees at Sotheby’s on October 5, 2018 to realize that something wasn’t right. The British street artist Banksy had just achieved a record sale with his immediately recognizable Girl with a Balloon, fetching 1.4million USD (the gavel hammered at 953,829 GBP, exactly his previous record). Immediately upon the auction’s close a mechanism in the frame of the piece activated, spitting the artwork out of the bottom, now shredded. There are reports of an incident between an individual and security on the site and the artist posted the following photograph to his Instagram with the caption “Going, going, gone…” begging the question if the elusive artist was in attendance at the auction and if he had triggered the artwork’s destruction himself. The expressions on the faces in the photograph could not more perfectly describe the scene as it unfolded. Confusion, amusement, bewilderment and horror wash across each individual and the moment is captured in what appears to be a carefully calculated moment.

Girl with Balloon at Auction

Going, going, gone...

Banksy is no stranger to pranks but one has not been pulled at an auction, notably at the record price earned from this sale. The auction house is in an unusual quagmire, with a completed sale and a now “destroyed” work of art. Sotheby’s has yet to comment on how they will proceed with the sale as the transformation of a work at its auction’s completion is uncharted territory.

The immediate questions surrounding the artwork’s destruction are whether the act now makes the artwork more valuable or is the performance of the destruction the real star of the show? The piece still exists, albeit now rendered to strips of canvas hanging from the frame, but serves as a physical remnant of the spectacle of which the auction house’s head of Contemporary Art, Alex Branczik, states he was not complicit.

Should we reflect on the value of artwork and the sale of these pieces at major auction houses? Can destruction be as valuable a transformation as construction or repurposing? Is there a greater vision to be seen here or is Banksy just having a giggle at us?

Banksy’s personal website.
News stories courtesy of New York Post and The Art Newspaper.

UPDATE: Banksy shared a video of the construction of the shredder inside and the destruction of Girl With a Balloon on his Instagram.

Vienna Gallery Houses Sex Club

Posted in Interactive, Performance on February 25th, 2010 by Moose – Be the first to comment

Secession Hall

At the turn of the 20th century, the world was not ready for Gustav Klimt’s Beethoven Frieze, exhibited at the 14th Vienna Secession exhibit because of it’s risqué nature. As an homage, the gallery in Secession Hall in Vienna is hosting nightly the opportunity for interested patrons to live out their wildest fantasies with a sex club located in the hall’s basement. The temporary club—which is open for a limited, two month engagement— is open after hours to members of the public over the age of 18 and boasts a dance floor, erotic body painting, and an S&M room. Ironically, the painting which inspired Swiss artist Christophe Buechel’s swinger’s club sits next to the club itself, but is not viewable during the club’s active hours.

The interactive art project has raised more than a few eyebrows in the local community, but would Gustav Klimt approve? You decide.

Article courtesy of Reuters.